Garnet Walters

Pianist Educator Producer Composer Arranger

The Official Website of Garnet Walters and Geephlat Music
 

Filtering by Tag: Hands

Thank You Harmonic Minor Scale!!

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I remember as a young student how much I hated the harmonic minor scale. Why? It was that skip from the flat 6 (b6) to the major seventh (M7). I loved the sound of it but my fingers wanted to boycott that interval jump at the end. In some keys, (primarily C, D, E, F, G, A and B) the fingering was pretty straight forward and manageable. When it came to the black keys, my fingers were tangled up in knots because the fingerings were completely different. With slow practice and a lot of patience, I managed to get the scales down into all the keys.

Fast forward to 2014. I was practicing the B flat (Bb) Harmonic minor scale and the fingering that I was using felt strange. I was using the fingering that I had used as a child but something felt off. I slowed down and examined what I was doing. I was taught to start with my 2nd finger in both hands and I remembered that clearly but something still didn't feel right. I decided to go read the fingering from the Hanon book and I was right. 2nd finger on the left and right hand on the Bb. I check out another book to make sure that the fingerings were correct and to my surprise, the fingerings were different. The right hand started with the 4th finger on the Bb and the left hand started on the 2nd finger on the Bb. I tried it out slowly and I felt comfortable. No awkwardness at all! What I learned was the key to playing this scale as well as others was contingent on where the 4th finger lands.

My ring finger surely had a work out that day but I immediately saw the benefits. Usually the ring finger is the weakest finger but the harmonic minor scale kept it accountable and honest. When I started to play my other scales and lines, my ring finger kept up! So not only did I learn a new fingering, my ring finger got stronger because of it! That skip was an excercise in itself!

It's a good thing to check out alternate fingering for scales and other musical ideas. Everyone does not have the same hand or finger shape so that also needs to be considered. Experiment weird fingerings when playing scales or when you are soloing. Experiment with different fingerings when you are learning music as well. The composer may have put that fingering there for a reason. Maybe it will work for you, maybe it won't. Don't be afraid to try it out.

With that being said, I would like to thank the harmonic minor scale and its counterpart the harmonic major scale for teaching me this valuable lesson. I will never forget this!!

Feel free to comment!!

Shrugs...

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I remember practicing the piano one day and I realized something. When I really wanted to execute a musical idea, I would raise my shoulders. I would think that by doing this, the musical idea would magically be played. Wrong.

Raising my shoulders was more of a hindrance than an aid in my playing. I couldn't execute whatever I was playing because I was unknowingly creating unneeded tension from raising my shoulders. From the audience's perspective, they feel that I am really "into the music" or I'm trying to "sell the song" to them. From my side of things, my ideas are not coming out as clean as I would like.

So how did I remedy this situation. Well, I had to practice slowly. Very slowly because I needed to know when I would do it. Crazy enough, my shoulders would rise up like I was being controlled by a puppet master. Once I recognized this, I put my shoulders down and "reset" and started over. I started again and sure enough it happened again. I raised my shoulders. So, I had to reset again. All of this information by practicing slowly. After a while, I had "cut the strings" and I was free...for the moment. The lesson that I learned from this experience is to relax. I had to think of my body as a garden hose. A garden hose is connected to a pipe and water flows through it freely. When there is a twist in the hose, water does not flow freely and little to no water may come out. So raising my shoulders was the equivalent to twisting a garden hose. Energy was not flowing properly because it was twisted up in my shoulders. Now not only am I very conscious about what I am playing, I am conscious about the state of my body as well!

Any thoughts? Feel free to let me know what you think! <a

Zamar Nation

10290601_1479127718984329_8334065973481346860_n I had the honor and pleasure to be a part of an awesome musical project.  Zamar Nation, which has Bryant Wilder on bass, Andre Johnson on drums, Damon Mack on the organ and Willie Brown on guitar, created an album called "Uplifted Hands".  It consists of different styles of sacred music ranging from traditional gospel to Christian Contemporary Music.  It was fun to make music with such awesome musicians.  There is a nice blend of high musicianship, heavenly vocals and easy listening that will draw the listener in as the album progresses.  Many people have said that they play this music in their cars and is in heavy rotation everywhere they go.  I must say that this is a great testament of how great the music on this album is!

If you want to purchase a copy of this album, you can go on Amazon, CDBaby or iTunes.  Experience wonderful sacred music by getting your copy today!

 

You can check out Zamar Nation's website here: https://www.facebook.com/zamarnationmusic

 

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